Friday, September 11, 2026

Basket People Part 2: Wicker Men

Bawdy, provocative, raunchy, romantic, steamy, vulgar, warm, wise, witty.  

These are not usually words associated with basketry, but they've  been used by reviewers of the soon-to-be-released movie Wicker. (Release date October 23, 2026 United States, 30 October 2026 United Kingdom.) 

I've not seen it. For some reason, no one thought to invite me to the Sundance Film Festival! It premiered there on January  24, 2026.

In a nutshell, Basket Weaver (played by Peter Dinklage) deftly twists willows, at the request of Fisherwoman (Olivia Colman), into a man to be her Wicker Husband (Alexander Skarsgård).  Basket Weaver succeeds, and the story goes from there.  The movie was adapted from the short story The Wicker Husband by Ursula Wills-Jones.  

The publicity photos released show an amazing basket person. So...what about that basket?

New Zealand's Wētā  Workshop designed the Wicker Husband. 
"A team of 50 people at Wētā  Workshop  spent months designing the practical costume....They first made a 3D-printed prosthetic shell molded precisely to Alexander Skarsgård's body shape. Actual real-life wicker was then hand-woven directly over the 3D-printed prosthetic base. A minor amount of CGI [computer generated imagery] was added later to make the gaps in the wicker look hollow instead of showing the actor's skin underneath."  It took about 90 minutes to apply the suit to  Skarsgård.    https://www.wetaworkshop.com/projects/wicker  and 

"The 3D-printed underlayer solved a complex design challenge, as a human body cannot be accurately recreated using only straight woven fibres. The printed structure provided the necessary contours while preserving the appearance of an entirely woven figure."  https://tribune.com.pk/story/2621314/how-was-alexander-skarsgard-transformed-in-wicker-weta-workshop-reveals-the-process

Creating a basketry suit seems an incredible feat, and I'd like to credit those weavers by name. Until then, I'm looking forward to seeing the movie. 

For basketry research purposes, of course.


Many years prior to this year's basket movie offering, The Wicker Man was released in 1973, with a remake in 2006. These also featured men in basket suits, but nothing like 
Skarsgård's form-fitting costume. These are more like a giant effigy figures, such as what might be seen at Burning Man.

Fred Bennett and Ernie Blake were the construction managers behind the wicker structures that were used in the 1973 film, made from "standard agricultural sheep-containment hurdles." 
[youtube - making of the wicker man. I did not link this source as this video has full nudity]

Above, the 1973 movie poster.

Left, Edward Woodward appears in the very large basket in the 1973 movie The Wicker Man, seen at the left.









In the 2006 remake, Nicolas Cage is in the basket cage at the right.

The 2006 remake of The Wicker Man was led by Production Designer Phillip Barker and Property Master Brent Lane

There are 55 people listed in the Art Department in the credits of this movie. There had to be some pretty decent basket weavers among them. 

Below, the 2006 movie poster.

                                                                                                      
Image below, interior basketry structure of a large effigy at Burning Man.  Unsplash photo 
by Joshua Williams, photo-1720748834947-a2a-61058bc3b


Right, large basketry effigy figure at Burning Man.
Unsplash photo by Leo Visions,
photo 1759083842319-a4534706c506

Basket People Part 1: Figural Baskets

Basket People are in people's homes and in people's museums. Soon one will be on a movie screen. Let's explore the older, static forms first, then take a look at basketry on men, and men in baskets, in the next blogpost, Basket People Part 2: Wicker Men. 

This category of basket people includes basketry dolls, effigy or figural baskets, and the like, from corn husk dolls from farming communities worldwide (not discussed in this post) to folded tule dolls of Indigenous Californians.

Among the first basket people that came to my mind are the basketry figures of the O'odam peoples of Arizona. This type of basket was primarily made for the tourist market. According to Andrew Hunter Whiteford (Southwestern Indian Baskets: Their History and Their Makers, 1988, page 139),  these forms became popular in the 1930s and many artists were making them in the 1940s. They are primarily female figures. Male figures are more rare, as are effigies including owls, dogs, turtles, and various other animals. 

The couple in this photograph live in my china cabinet. She carries a pot on her head, and the design on her dress is made of  yucca root. He looks sporty with buttons on his shirt, a belt, and cool footwear. These baskets are coiled of willow, yucca (yellowish), yucca root (brownish), and devil's claw (black) on a beargrass or cattail foundation.  He stands 11.2 cm tall.

Many more basket people like these live in museums.

A most charming figural basket from the Akimel O'odham is housed at the Heard Museum in Phoenix, object number 4740-1. It's coiled of willow and devil's claw on a cattail bundle foundation, and was made in the mid-20th century. See it here: https://cdm16286.contentdm.oclc.org/digital/collection/p15086coll3/id/78/rec/22

A female figure with an expressive face and detailed dress is also at the Heard Museum, object number NA-SW-PG-B-119. She was made around 1970 and is coiled of yucca (bleached and unbleached) and devil's claw on a beargrass foundation. She can be seen here:  https://cdm16286.contentdm.oclc.org/digital/collection/p15086coll3/id/53/rec/37

A basket man that appears ready for action can be found at the Eiteljorg Museum in Indianapolis, object number 1989.8.33. It was made by a Klamath or Modoc weaver and is twined of cattail and tule. He's dressed in fringed leather breaches sewn with thread. He has a wicked looking wooden club with a black obsidian blade attached to the business end of it. This basket was made around 1930 - 1950. Visit him here:  https://collections.eiteljorg.org/objects/1687/doll?ctx=85de2eb44ec8898d6db19600d4885e71992756b3&idx=0

My blogpost on South American Figural Baskets features a colorful woman figure from Ecuador (post created 2/6/2026).

A friendly looking dog made by Tohono O'odham weaver Lucy Andrew, circa 1961, has its home at the Arizona State Museum, object number e-4645ab. Diane Dittemore of the Arizona State Museum discusses it here:  https://statemuseum.arizona.edu/online-exhibit/curators-choice/prize-winning-baskets

Dolls made of tule (bulrush) are made by various California Indigenous peoples, including the Miwok and Pomo. To learn about tule dolls from Kimberly Morales Johnson of the Gabrielino Tongva San Gabriel Band of Mission Indians, visit the website of The Natural History Museum of Los Angeles County. This same page also features basketry dolls from the Purepecha of Mexico and Annishinaabe of Minnesota. https://nhm.org/stories/tule-and-its-many-gifts

These are fun baskets, and each has its own captivating personality.